act, he was bidden by his confessor to name some sin of his past life before absolution was given him. He named it with humility and shame and repented of it once more. It humiliated and shamed him to think that he would never be freed from it wholly, however holily he might live or whatever virtues or perfections he might attain. A restless feeling of guilt would always be present with him: he would confess and repent and be absolved, confess and repent again and be absolved again, fruitlessly. Perhaps that first hasty confession wrung from him by the fear of hell had not been good? Perhaps, concerned only for his imminent doom, he had not had sincere sorrow for his sin? But the surest sign that his confession had been good and that he had had sincere sorrow for his sin was, he knew, the amendment of his life.

----I have amended my life, have I not? he asked himself.

*     *     *

The director stood in the embrasure of the window, his back to the light, leaning an elbow on the brown crossblind and, as he spoke and smiled, slowly dangling and looping the cord of the other blind. Stephen stood before him, following for a moment with his eyes the waning of the long summer daylight above the roofs or the slow deft movements of the priestly fingers. The priest's face was in total shadow but the waning daylight from behind him touched the deeply grooved temples and the curves of his skull. Stephen followed also with his ears the accents and intervals of the priest's voice as he spoke gravely and cordially of indifferent themes, the vacation which had just ended, the colleges of the order abroad, the transference of masters. The grave and cordial voice went on easily with its take, and in the pauses Stephen felt